For 11 reviews, this critic has graded:
  • 36% higher than the average critic
  • 9% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 18.3 points higher than other critics. (0-100 point scale)

Mark Kermode's Scores

  • Movies
  • TV
Average review score: 82
Highest review score: 100 Widows
Lowest review score: 60 Halloween
Score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
11 movie reviews
    • 89 Metascore
    • 80 Mark Kermode
    The film may not be flawless (it’s a touch textbooky at times) but Oyelowo is note-perfect.
    • 84 Metascore
    • 100 Mark Kermode
    Widows is a sinewy treat that seamlessly intertwines close-up character studies, big-picture politics and audaciously reimagined heist-movie riffs.
    • 67 Metascore
    • 60 Mark Kermode
    After four decades of diminishing returns, the fact that a guy in a mask can still take an entertaining stab at a somewhat jaded audience is oddly reassuring.
    • 84 Metascore
    • 80 Mark Kermode
    While Gosling plays everything close to his chest, it’s Foy who invites us into the unfolding drama with her wonderfully empathetic performance.
    • 88 Metascore
    • 80 Mark Kermode
    Its Oscar-bait earworm tune may be entitled Shallow, but the film itself is as deep and resonant as Bradley Cooper’s drawl, and as bright as Lady Gaga’s screen future.
    • 77 Metascore
    • 80 Mark Kermode
    Watching the film for a second time, with prior knowledge of the revelations of its final act, Close’s performance seemed even more nuanced, as if each look now meant something different.
    • 83 Metascore
    • 80 Mark Kermode
    What it all adds up to, other than a moment-by-moment experiential overload, is uncertain.
    • 69 Metascore
    • 80 Mark Kermode
    It’s one of the lovely ironies of Akhavan’s bittersweet film that Cameron finds true friendship in a place dedicated to stamping it out, and there’s laugh-out-loud joy to be found in the acid-tongued interaction between these soulmates.
    • 90 Metascore
    • 100 Mark Kermode
    There’s a sustained tension between the concisely epic sweep of the narrative and boxy confinement of the 4x3 frame that perfectly matches the film’s twin themes of freedom and incarceration.
    • 80 Metascore
    • 80 Mark Kermode
    This daringly satirical parable of magic and misogyny, superstition and social strictures confirms [Nyoni's] promise as a film-maker of fiercely independent vision, with a bright future ahead.
    • 83 Metascore
    • 80 Mark Kermode
    BlacKkKlansman slips seamlessly from borderline-absurdist humour to all-too-real horror, conjuring an urgent blend of sociopolitical period satire and contemporary wake-up call.

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