For 309 reviews, this critic has graded:
  • 48% higher than the average critic
  • 22% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 8.1 points lower than other critics. (0-100 point scale)

Kimber Myers' Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Jane
Lowest review score: 0 Dance Baby Dance
Score distribution:
  1. Negative: 70 out of 309
309 movie reviews
    • tbd Metascore
    • 60 Kimber Myers
    Though her script overloads its characters with confusion to the point of farce, there’s still a warm, authentic core that drives this well-meaning effort.
    • 58 Metascore
    • 75 Kimber Myers
    If you took “Raiders of the Lost Ark,” mashed it up with some gonzo grindhouse pics, doused it in shaken-up cans of original Four Loko and then lit it on fire, laughing while it burned, you might begin to approach the craziness that is Overlord.
    • 39 Metascore
    • 50 Kimber Myers
    Even with all of Haddish's hard work, she still can't clean up the mess she's landed in.
    • tbd Metascore
    • 60 Kimber Myers
    Beyond its plea for research, the documentary is largely hopeful, but for balance could include more anecdotes and details of when the treatment doesn’t have the desired results.
    • tbd Metascore
    • 20 Kimber Myers
    There’s more sex than dialogue here; it’s a small win because the clunky dialogue and its flat delivery from amateur actors is nigh unwatchable, not that the sex scenes are much better.
    • 77 Metascore
    • 90 Kimber Myers
    Director Yoonessi and deGuzman perfectly balance the contrast between Joy’s cuteness and innocence and the darkness and sexuality of her experience.
    • tbd Metascore
    • 60 Kimber Myers
    The documentary lacks the polish of films made by a more experienced team; however, its endearing cast of students and teachers largely make up for its flaws.
    • tbd Metascore
    • 40 Kimber Myers
    Despite chemistry between its attractive leads, 5 Weddings is a hot mess that deserves to be left at the altar. Inorganic and implausible, this Bollywood-inflected rom-com features little comedy and even less romance.
    • tbd Metascore
    • 40 Kimber Myers
    The minimalist approach and premise of Solis should work, but the execution in the script keeps the viewer disengaged, wishing the pod would move more quickly toward its final destination.
    • 49 Metascore
    • 33 Kimber Myers
    Despite its intentions to get close to Mercury, Bohemian Rhapsody is as intimate as a sold-out stadium show, with none of the accompanying power.
    • tbd Metascore
    • 30 Kimber Myers
    It’s better than a number of indie films in its craft — particularly the thoughtfully composed cinematography from Kieran Murphy — but a flawed script ultimately keeps it from eking out a win.
    • 26 Metascore
    • 40 Kimber Myers
    The gentle drama Change in the Air is buoyed by its sweet spirit and a strong cast, but it ultimately tries too hard to win our affections.
    • 80 Metascore
    • 80 Kimber Myers
    The children’s stories alone would have been compelling, but illustrating them in this medium adds even more depth, nuance and emotion.
    • 83 Metascore
    • 70 Kimber Myers
    This isn’t an idealized version of romance or L.A. millennials; Kotlyarenko and Nekrasova shine a glaring iPhone flashlight on their characters’ — and their generation’s — flaws.
    • tbd Metascore
    • 40 Kimber Myers
    Despite its flaws, The Samuel Project is likely to make an impact on open-hearted audiences, with extra credit due Linden for an authentic performance in line with the actor’s body of work.
    • Los Angeles Times
    • 49 Metascore
    • 30 Kimber Myers
    The script from director Scott Smith and co-writer Kevin Guilfoile thinks the rivalry between the two collectors is enough to sustain the narrative, but it doesn’t devote much of its energies to developing the relationship between Alan and Paul.
    • tbd Metascore
    • 30 Kimber Myers
    Actress and screenwriter Jessalyn Maguire brings her own challenges with anxiety and depression to both the lead role and the script, but the good intentions don’t create a good film with this psychology-driven drama.
    • 45 Metascore
    • 40 Kimber Myers
    Summer ’03 bounces between plot lines and themes, shuffling through elements of better films with a lack of focus and little insight into Jamie. It never transcends its teen movie origins to become something more.
    • 46 Metascore
    • 40 Kimber Myers
    Screenwriter Robert Siegel’s second directorial outing is better as an exercise in nostalgia than as a film, but it deserves some praise for its faithful recreation of a time and a place.
    • tbd Metascore
    • 20 Kimber Myers
    While The Storyteller aspires to be a feature-length Hallmark card, it only manages dollar-store sentimentality in its plot and platitudes.
    • tbd Metascore
    • 70 Kimber Myers
    This character-driven thriller gives specificity to small scenes, engaging the audience in each moment.
    • 45 Metascore
    • 40 Kimber Myers
    Asante usually excels at sharing stories audiences haven’t seen before, so it’s unfortunate that this one feels so dully familiar.
    • 65 Metascore
    • 70 Kimber Myers
    Not every directorial choice or camera movement works, but this indie drama shines in the silences. The moments between lines of dialogue are the strongest as Cass and Frida sit side by side and look at each other, with expressions and reactions saved only for us.
    • 60 Metascore
    • 40 Kimber Myers
    As the film’s sole director, writer and subject, Wang could have used some distance from the material.
    • 51 Metascore
    • 80 Kimber Myers
    Swelling with humanity and romance like the crescendo of an aria, “Bel Canto” is a moving meditation on the power of love, music and proximity.
    • 54 Metascore
    • 50 Kimber Myers
    Ultimately The Ranger promises more than it delivers.
    • tbd Metascore
    • 40 Kimber Myers
    Lost Fare aims to tell a story that’s at once dark and heartwarming, but it never balances these two contrasting ideas. There is genuine feeling here, but the dialogue and plot make the proceedings plodding and contrived.
    • 78 Metascore
    • 91 Kimber Myers
    There’s been no shortage of study on Welles, but They’ll Love Me When I’m Dead offers a new understanding of the elusive, cunning filmmaker with a verve the man himself would have admired.
    • 46 Metascore
    • 67 Kimber Myers
    Destination Wedding is bitter, bubbly and ultimately refreshing, the Aperol Spritz to your sickly sweet Amaretto Sour.
    • 67 Metascore
    • 83 Kimber Myers
    This is a subtle, slow burn of a film that refuses to bow to audience expectations in either its small moments or its overall arc.

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