For 663 reviews, this critic has graded:
  • 62% higher than the average critic
  • 11% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 2.6 points lower than other critics. (0-100 point scale)

Katie Walsh's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Elaine Stritch: Shoot Me
Lowest review score: 0 The Red Pill
Score distribution:
663 movie reviews
    • tbd Metascore
    • 10 Katie Walsh
    The overwrought script is full of dusty old clichés like this, and Mullins and Co. don’t have the chops to sell them. The supporting cast offers wooden line readings, while Mullins is an uncharismatic performer, with a range that extends from dead-eyed to high-pitched yelling.
    • tbd Metascore
    • 30 Katie Walsh
    Experimental, yes, but this one wildly overstays its welcome.
    • 37 Metascore
    • 50 Katie Walsh
    The dour environment doesn’t help, the humor doesn’t pop and, disappointingly, the scares just don’t land. There are a few jumps and bumps, but there’s no real sense of dread or unease or questioning.
    • tbd Metascore
    • 70 Katie Walsh
    The script has a certain memoiristic quality that would edge into self-indulgence if McGhee and Stonebraker weren’t such warm and disarming presences on screen.
    • 81 Metascore
    • 70 Katie Walsh
    The lack of a strong narrative through-line makes for a film that is informative but dry. Nevertheless, it is an urgent plea for us all to make conscious choices in our consumption.
    • 63 Metascore
    • 90 Katie Walsh
    In the Christmas zombie teen musical Anna and the Apocalypse, a whole lot of genre is stuffed into one neat little package, and happily, giddily, it is perfectly executed, landing like a triumphant triple axel splattered in gore, and wrapped in tinsel.
    • 32 Metascore
    • 63 Katie Walsh
    While it plays fast and loose with loaded political iconography, this Robin Hood brings a whole new dimension to this age-old tale.
    • 69 Metascore
    • 80 Katie Walsh
    This film quickly reveals itself to be a beautifully heartfelt and poetic tribute to the filmmaker’s mother.
    • 57 Metascore
    • 63 Katie Walsh
    The pace of Instant Family can be relentless. But with the supporting cast and a whole lot of genuine authenticity, Anders hits that sweet spot of hilarious and heartwarming, where the sweetness and tears are well-deserved, and earned.
    • 75 Metascore
    • 90 Katie Walsh
    Jinn is a familiar story, told in a cultural context rarely depicted on film, and Mu’min’s approach is so lyrical and empathetic that it feels completely fresh and new. It’s a remarkable film with sensitive and stirring turns by Renee and Missick in the mother-daughter roles.
    • 75 Metascore
    • 80 Katie Walsh
    Under the Wire brings a vivid immediacy to this tragic event. Conroy speaks candidly to the responsibility that he feels to survive and to tell the stories of the others, a task that he will carry with him for the rest of his life.
    • 56 Metascore
    • 60 Katie Walsh
    There’s a sense of beauty and contemplation in Albertin’s work, and though it seems like danger hangs in the air, there’s an odd lack of tension or suspense, and the film’s pace requires incredible patience. Nevertheless, Nivola’s work is somewhat of a revelation, while Haley proves to be a worthwhile discovery.
    • 60 Metascore
    • 70 Katie Walsh
    It is significant that in this vision of revisionist revenge, the ones who prevail against the Nazis are those who would be marginalized and targeted by them — along with their allies. For all its bloody cacophony, Overlord doesn't lose sight of its heroes.
    • 51 Metascore
    • 63 Katie Walsh
    Beautiful to look at, and diverting enough. The material written to fill out the story is entertaining, but it doesn't resonate. You can't top what Seuss wrote.
    • 62 Metascore
    • 70 Katie Walsh
    El Angel doesn’t offer any concrete answers, and though it paints a vivid portrait of this real-life devil, the fact is that ultimately, we end up seduced by him as well.
    • tbd Metascore
    • 70 Katie Walsh
    The Panama Papers serves as a reminder of the important work reporters do in fighting abuses of power and the way that work is evolving in an increasingly fractured global landscape.
    • 75 Metascore
    • 90 Katie Walsh
    From crisp academic arguments to sick burns, words spew, stutter, and startle, and as delivered by a totally committed Worthy, a soulful Jackie Long, and a posse of actors and rappers from the scene, the wordplay is dizzying, mesmerizing and intoxicating.
    • 39 Metascore
    • 38 Katie Walsh
    This is your warning that if you have any affinity for the ballet, avoid this at all costs.
    • 49 Metascore
    • 63 Katie Walsh
    It's the centrifuge around which the rather uneven film whirls, and Malek keeps it going with his sheer will and talent, aided by a parade of legendary Queen hit singles.
    • tbd Metascore
    • 40 Katie Walsh
    Unfortunately, in Love Jacked, Anderson brings the heat, while West is barely present, unable to keep the necessary chemistry crackling.
    • 53 Metascore
    • 63 Katie Walsh
    Indivisible is surprisingly engaging. With a host of characters, there's plenty to hook into, even if the multiple storylines are all a bit shallow, and the actors are appealing, especially Skye P. Marshall, an Air Force vet who plays the hard-charging Sgt. Shonda Peterson.
    • 29 Metascore
    • 40 Katie Walsh
    While Silencio could be fascinating sci-fi, it’s bogged down in all the family drama.
    • 39 Metascore
    • 25 Katie Walsh
    This limp, lifeless, one-joke action comedy sequel, directed by David Kerr, comes 15 years after the 2003 "Johnny English," and manages to overstay its welcome, even at a scant 88 minutes, mostly because writer William Davies didn't bother to write anything other than "Johnny English is bad at spying."
    • 66 Metascore
    • 63 Katie Walsh
    The film is an achievement in authentic world-building, but you can’t shake the feeling that what Mid90s does say isn’t perhaps what Hill intended it to.
    • 43 Metascore
    • 50 Katie Walsh
    Hunter Killer needs its radar calibrated, because while it bounces between serious and silly, it never quite finds a suitable place to land.
    • 87 Metascore
    • 100 Katie Walsh
    McCarthy is exceptional as the irascible Lee, and her skill in a dramatic role should be no surprise. Her performance is detailed, nuanced and subtly affecting, while Grant brings the relief as the tragicomic Jack, who showboats in circles around McCarthy, who's in the straight man role for a change.
    • 78 Metascore
    • 80 Katie Walsh
    Transformer beautifully captures the process of Janae crafting her own sense of femininity, unique to who she was and who she continues to be.
    • tbd Metascore
    • 30 Katie Walsh
    The story veers off track, and Rokesh can’t cleanly execute the wild tonal shifts and haphazard story beats.
    • 54 Metascore
    • 70 Katie Walsh
    At nearly two hours, An Evening With Beverly Luff Linn grossly overstays its welcome, but the Hail Mary ending proves it to be a rather sweet and tender story about love lost and found in the unlikeliest of places.
    • 67 Metascore
    • 80 Katie Walsh
    With real soul and gravitas, Marks and Power craft romantic drama that demonstrates that life’s hardest challenges can come at any age.

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